For some reason I’ve just never liked Spider-Man. He comes off as a whiney, ignorant child that never seems to grow up or mature despite everything he goes through. I love a good coming of age story, but he just never seems to become an adult.

  • Boozilla
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    181 year ago

    The Flash. No list of reasons. Just never appealed to me at all.

  • @[email protected]
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    71 year ago

    Modern Batman and Modern Superman.

    I won’t go on my 2 hour rant off everything wrong. But a short version is the writing for them is lazy and undeveloped. Both of them represent the most uninteresting form of a power fantasy. The modern Batman of ‘having a plan for everything’ and being this overburden angsty character is just awful. If Batman was a d&d character, he has loaded dice and is throwing that 20s on intimidation. And for Superman he’s just not interesting, because with the amount of power he’s been given and the amount of abilities he has the fact that lex luthor is somehow a villain of his is laughable.

    Batman used to be the world’s greatest detective. And for me the last time I saw Batman be Batman was the '90s animated series. And frankly the most recent movie The Batman also did a very good job I thought in that regard.

    Superman used to have limits. He was fast but not infinite speed fast. He was strong but not infinite strength.

    In both cases it feels like the people who write for these characters use one simple rule… This my favorite character so he win. Neither character feels like their struggles are earned, because the writing is forced. Like it used to be if Superman needed to save somebody you weren’t 100% sure he’d be able to get there in time, stop the bad guy save the people! Modern Superman is like, a being a hundred light years away, tripped and their falling! They need your help before they get a boo-boo and I have no doubt Superman would get there somehow and then save a hundred worlds along the way. (An over-exaggeration I know but I want to get the point across at how lazy I feel the writing is). Or the fact that anybody fears Batman when most of his villains barely fear him. You have members like Green lantern, Martian manhunter, Superman, and Wonder woman who act like in any way Batman is a threat to them.

    I’ll stop ranting cuz I can honestly go on. But I will say with the massive decline for me personally with these two, I’ve been far more receptive of some of the other DC characters that I used to overlook when I was younger. I can’t believe I 100% slept on the flash like that dude is straight boss. Or plastic man! So at least some good came of it.

    • snownyte
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      71 year ago

      Fuuuuuuck…

      I hated how he became the symbol now of people who’re desperately quirky. You couldn’t throw a damn rock without it hitting some average person who closely associates with Deadpool because “he’s like me! I say and do random shit for the lulz and so does he and that’s all foonay!”.

      And yes he is fucking obnoxious to the nth degree, he isn’t creatively written or crafty with his wits. People just think “oh Deadpool is totally the guy who’d ride a unicorn into battle…BECAUSE IT’S DEADPOOL! HAW HAW HAW!!”. Like I don’t think I want Deadpool to be overly serious or edgy, I just want him to be written not in the way he is now. I just feel there could be more there because he’s not a character anymore - he’s noise. Loud and obnoxious noise.

    • @[email protected]
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      31 year ago

      He has really departed from the way he was written in the beginning. Becoming popular forced the character to be written shallow.

  • @[email protected]
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    31 year ago

    I agree with spiderman, I’ve still not watched his stand-alone movies.

    Also hulk once he becomes “smart” hulk in end game.

    Also fat Thor in end game, again not funny just whiny.

    • silly goose meekah
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      51 year ago

      I don’t think it was supposed to be funny. I think that was their attempt at somehow mangling mental health into their stories because that’s what the kids are all about or something

  • @[email protected]
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    1 year ago

    Batman. He’s a billionaire playboy living in a city full of poverty. He may not kill but he has no problem crippling someone for life. And the fact he apparently learns nothing about the joker over the decades has resulted in so so many people dying to the joker’s schemes.

    And the reality is that he’s still that same child in that alley but in an adult’s body. He takes on different child robins because he never grew past that. He has trauma that was never treated and one of the main symptoms of trauma is being stuck in the time period that the trauma happened. He doesn’t really have a personality beyond the trauma.

  • @[email protected]
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    141 year ago

    I really can’t stand Damian Wayne I just find him annoying and bratty.

    If anyone has any good story recommendations with him I would like to hear about it.

    • Rhynoplaz
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      51 year ago

      At first I thought you said Damon Wayans, and for the first time in ever, I thought about the movie Blankman.

    • @[email protected]
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      21 year ago

      That’s why I liked Super Sons so much. Damians saltiness gets perfectly balanced out by Jon’s sweetness.

      That’s also why Bats amd Supes are such a good duo, they play off each other and through that complete each other.

      Damn you Brandis for taking Super Sons from us Angrily shakes fist at sky

      • @[email protected]
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        11 year ago

        That sounds good, I look into it. I do love Bat and Super team up, and it sounds like it can be similar.

    • @[email protected]
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      11 year ago

      I recommend Batman and Robin by Tomasi & Gleason. What’s great about Damian being annoying and bratty is that it allows some character growth. Unfortunately, whenever a new writer takes over, it results in him regressing back to his previous characterization.

      I also recommend Batman and Robi n with Dick Grayson as Batman. Its has an unique take on Dynamic Duo with a serious Robin and Light-hearted Batman.

      If you like those you can check out Robin Solo run and supersons as well.

      • @[email protected]
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        11 year ago

        I check those out, another person also recommend supersons, and I will look into it it sounds like something I would like.

  • poo
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    221 year ago

    All of them. Can’t stand the superhero-dominated media market.

    • @[email protected]
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      1 year ago

      Fuck, you are so cool. Edgy and cool. Too cool to like a single super hero which are diverse and many! Finger guns Please, dunk my nerd face in the trashcan.

      Cool, hip people hate superheroes and downvote me for saying you’re a contrary, close minded, jerk off.

    • @[email protected]
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      31 year ago

      I agree, they are just not for me either… It just feels the cinema industry focusing on what is safe to sell well enough.

      Maybe the original material (comics) is way better than what I could see on TV growing in the 90s , not sure.

      • poo
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        21 year ago

        Yeah it’s just such a simple and easy topic. Studios funnel all their money and focus into a genre that requires no creativity.

        After Iron Man 2008, sure it was neat for a few years to see a “connected universe” but it’s a bit of a joke now…

        That’s what makes me the most excited for auteurs like Francis Ford Coppola or Lynch or Aronofsky or Tarkovsky - I watch movies to be immersed and feel something, and blam-blam-boom-booms have just never done it for me.

        I prefer film-as-art over film-as-entertainment I guess?

        • @[email protected]
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          11 year ago

          The word is pretentious. Both types are great, but ivory tower types who name drop basic Artisic™ directors like they just took their first film class I find to be more irritating than people who just want to have fun.

          Be more Ebert, less RT Meter.

          • poo
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            11 year ago

            Wow, you must have lots of friends and be fun at parties, dick 😂🤣😂

            • @[email protected]
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              11 year ago

              Pretty much yeah! Imagine that, someone who thinks you’re a try-hard poser actually has a rich life and is usually the host of many parties filled with authentic people who would gladly mock, openly, the thoroughly asinine dog shit you said above. Maybe nicer though.

  • 🇰 🌀 🇱 🇦 🇳 🇦 🇰 🇮 🏆
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    1 year ago

    I have to assume you’ve only seen the Spider-Man movies of recent years and not the comics, the original live action show, or the 90’s animated series.

    All of those go well into Peter Parker’s adult years and he’s a much more likeable character. I don’t particularly like what they have done to him in the modern stuff (outside of Spiderverse since Miles is a totally different person anyway). It doesn’t help that it’s been rebooted 3 times so all they’ve shown is his origin story a bunch of times. I can’t stand modern Spidey, either. And it’s extra infuriating because Spider-Man is my favorite.

    • Rhynoplaz
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      21 year ago

      I’m starting to think maybe we just related to the whiney teenager more when we were one, (looking at you 90s TV show) but experiencing him as a jaded adult just doesn’t hit the same.

  • @[email protected]
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    31 year ago

    All of them: I want authenticity,

    and “superheroes” are fake human-meaning, engineered to push distractine power/ego-fantasy instead of actual-human development.

    Read both of John Truby’s books, “The Anatomy of Genres”, & “The Anatomy of Story”, and become much competenter in what story/movie makers should be doing,

    and then consider how much is being invested in preventing realism-of-context from being known by mass-media consumers…

    …and then understand the long-term consequences of deliberately/systematically diverging mass-awareness from what real meaning, real human context, is, … through decades…

    It’s part of a whole-class, or whole-population, suckerpunching, but it seems to be of unconscious, not conspiracy, intent.

    Pretence-programmed populations are less realistic & less reality-competent.

    Bollywood & Hollywood both produce divorce-from-reality.

    That isn’t required, for story, or human-meaning, is it?