Or maybe you still love it, but now you have a different perspective.
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Pretty much everything that’s EDM. Lots of Deadmau5 songs sound like they’re meaningful when you only catch a few words here and there, then you read the lyrics and find out they’re all about sex. Pomegranate is a good example. I still like them, but I don’t think they’re meaningful now.
“Freshmen” by the Verve Pipe
When I loved this song as a teenager I did understand that it was about the girlfriend’s suicide, but I missed the abortion piece. I assumed the “baby’s breath” referenced wedding flowers and “shoe full of rice” was like the rice you throw on newlyweds.
Turns out the only true part of the story is the abortion, which is a rough topic but not inherently tragic. TBH these days a song about abortion could be considered wishful thinking. (Or even celebratory? Cue the Sextina Aquafina abortion song from Bojack.) The suicide is poetic license, but does make for a beautiful narrative of guilt and naïveté.
Contemporary to that one is “Brick” by Ben Folds Five…
I stopped explaining to people why they were selling their gifts, and where he was dropping her off…After a while, I felt as though I was just ruining something that made people happy.
Same with “Pumped Up Kicks” - although that one, I thought, was pretty self explanatory. I guess people just jam to the beat, and don’t pay attention to the lyrics
Running to the Sea - Royksopp. Now that I know it’s about some sort of terrorist attack, I just feel weird listening to it now
Hey there Delilah
The dude who wrote it is a creep
Dang. Just looked it up. It’s a song about a girl he met once and was dating someone else, but he still wrote a damn ballad and sent her a copy. Then she had to live her life surrounded by a song about a stranger’s feelings for her.
And looking at the lyrics, they’re sweet if said about a long-distance partner, but really weird to sing to a vague acquaintence.
Jump by Van Halen when found out that it’s about hanging yourself.
Well, I still like it but it’s with a double feeling.
I thought it was about starting a fight, like jumping someone.
TIL
From genius.com : “The original inspiration for the lyrics came from David Lee Roth watching a person on TV who was threatening to commit suicide by jumping off of a building and Roth figured someone in the crowd must be thinking, “Go ahead and jump”. It was, however, not written about suicide – the song is about ‘jumping’ on the opportunity to hook up with someone.”
Though I can see where you got that.
The lyric “I jump up and nothing gets me down” jumping off a stool/chair but because of the noose he doesn’t get down.
But I can see your point.
We played this song in high school marching band lol
Pretty much all Linkin Park songs.
Listened to it since elementary.
Around high school, I figured the lyrics were kinda dark.
Then the vocalist hung himself.
the two Who rock operas are chock full of stuff that went over my head because i heard them when i was younger than i probably should have been. in this case the songs are written from character POVs so i wouldn’t say they make me think less of the band because of the content, but jeez, 10 year old me never would’ve figured Love Reign O’er Me for example was about a suicide attempt as opposed to, you know, feeling loved
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Ok, I’ll bite.
Why are weddings stupid?
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Stinkfist - Tool
You think from the title it would be obvious. Never thought why it was named like that until after I realized what the song was about.
Mr Brightside by the Killers. The tune was good and felt energetic when it came about, but it’s about a guy being cheated on. Having had someone cheat on me around the time it came out it hit really close to home and I just don’t enjoy listening to the song.
The problem with being in the UK is that it’s so overplayed and I just have to tune it out.
I second one of the other commenters who says that the song is about the perception of being cheated on. It’s funny, after the first day I ever went on with my partner that song played and for a little while we considered it our song, then eventually kind of faded as they both realized the song didn’t relate to us very well. Now I can look back years later, after going through a lot of therapy and self enrichment and I can realize that those kind of paranoia really did plague our early relationship. I’m glad that we were able to move on from it
It’s not. It’s about a guy who can’t beat jealousy and believes he’s being cheated on “except it’s all in [his] head”
Ah my bad. I thought the song was written by Brandon Flowers after catching his girlfriend cheating on him in a bar in his hometown of Las Vegas.
https://www.radiox.co.uk/artists/the-killers/what-is-the-killers-song-mr-brightside-about/
During lockdown in April 2020, the frontman looked back at the video and noted: “It’s just a song about betrayal. I was betrayed and I was able to turn it into a masterpiece”.
No, it’s a song about a nice guy not getting his crush.
In my late teens one of my friend gave me thumb stick with some poorly tagged mp3 mess. It was mostly black metal which I kind of liked (still do, some of it, sometimes when the mood is right). Years later I found out it was compilation of some NSBM bullshit. Not that it mattered in lyrics, as it was allindistinguishable, impossible to hear in true black metal “recorded band jam on a tape in one go from room next door” style, but still… People producing that pretty good music were probably the most degenerate retards in their countries (from USA, through France to Russia).
Baby, It’s Cold Outside. It’s such a fun song as the guy and girl go back and forth. Until you realize that he’s guilting her into sleeping with him. Eww!
There is a version out there where they try to tone down the rapey elements. Sadly, it’s pretty clunky how they do it.
Actually there weren’t any “rapey” elements at the time. They’re only there when viewed through a modern lense, completely ignoring the culture and standards of the time.
And the version where they tried to tone down the rapey elements was in 2019, shortly after the #MeToo movement. We are also having this conversation today, and not in 1949.
If you’re saying the standards of the time make it acceptable, I say that reflects really badly on the standards of the time. By the standards of the time, black people had fewer rights than white men. I hope to fuck we can improve upon the standards of the 1940s.
When people consume media it’s important to have context. Short-sighted inability to contextualize anything outside of our current standards doesn’t help anyone at all and actually makes understanding and moving forward more difficult.
If you’re saying the standards of the time make it acceptable, I say that reflects really badly on the standards of the time. By the standards of the time, black people had fewer rights than white men. I hope to fuck we can improve upon the standards of the 1940s.
The standards were quite different that’s for sure. That’s why it’s important to understand that it was a different era. An unmarried woman willingly staying with a man was destroying her reputation at that time even if she wanted to.
I understand that the film was not problematic for the time period, and it was seen as romantic. I also understand that the fact it was not seen as a problem was a fucking problem. And I understand that the only way to overcome a problem is to acknowledge that there is one. Hindsight is a fucking benefit, and with the benefit of hindsight, that song is pretty fucking rapey.
Once again, the song was played TWICE in the movie, and the second one was sung with a man being convinced to stay. It was not about reputation. It was about not wanting to be there.
Why are you so insistent that the woman saying no actually wanted it?
Because in the context of the song, she’s saying she wants to stay. I’ve never seen the movie you’re talking about so maybe it was played differently there but when the song was released it was obviously a duet between two people who wanted to “do stuff” but were unable to due to norms and societies judgement.
Why are you so insistent on portraying the woman as a victim and the man as rapist when that’s clearly not what was intended?
…No she fucking isn’t. She never says she wants to stay.
I simply must go (Baby, it’s cold outside)
The answer is, “No” (But, baby, it’s cold outside)She says no. He ignores her. I don’t give a fuck what was intended, I only care about what was said. What was said was a violation of consent. If you want the intent to reflect in the song to a modern ear (which are the only ears we have) then change the lyrics.
No, it is about both people coming up with excuses for her to stay when social expectations mean staying scandalous and everyone else would gossip.
The original film the song appears (Neptune’s Daughter) in actually sings the song twice. The first one is very clearly “I want to leave” vs “but you can’t.” He literally takes the hat off of her head, and she seems very irritated throughout.
The second is a woman trying to stop a man from leaving, to the degree that he ends up putting her clothes on by mistake in an attempt to leave faster. And, as assault of men often is, it’s portrayed for laughs.
The entire song is someone refusing to take “no” for an answer. At no point does the typically female role ever make an excuse to STAY, only to LEAVE.
Edit: No idea why “the song where a man stops a woman from leaving is a bit rapey” is a controversial opinion.
The song predates that by five years.
I didn’t know that. Looked it up. It was only publicly released around the film, and only sung at parties before that. Also, he sold the song without his wife’s consent and it almost ended their marriage.
I think you are mistaking the desire to leave as a personal desire and not an obligation due to social pressure.
The socond set of back and forth is all about other people’s expectations and then hesitsting.
My mother will start to worry (beautiful, what’s your hurry?)
And father will be pacing the floor (listen to the fireplace roar)
So really I’d better scurry (beautiful, please don’t hurry)
Well maybe just a half a drink more (put some records on while I pour)
Watch the damn scene. She is trying to brush him off. She wants to leave, and he is not letting her. She is politely saying no, and he is politely forcing her to stay. Even if it is due to social pressure, let her fucking leave.
“Well maybe just a half a drink more” is said when he has just snatched the coat off her back and is still holding it. Her face is a picture of resignation, not coy flirtation. She then asks “say, what’s in this drink” and puts it down with a scowl on her face.
This is flirtatious by the standards of a Sean Connery movie.
Ughhh, no no no no no. It’s them debating on what excuse she will use so the community doesn’t slut shame her!
Nope. In the original scene in Neptune’s Daughter, she is actively trying to leave and he is doing everything he can to stop her. Note that she never makes an excuse to stay, only to leave.
The song predates that by five years. https://www.goretro.com/2016/12/why-baby-its-cold-outside-is-not-about.html?m=1
Frank Loesser’s son, John, was interviewed about the song by the Palm Bean Post in 2010 that was reprinted on the official site for his dad. From the article:
“My father wrote that song as a piece of special material for he and my mother to do at parties,” says John Loesser, who runs the Lyric Theatre in Stuart, and is the son of legendary composer Frank Loesser (Guys and Dolls, How To Succeed In Business Without Really Trying.)
Frank Loesser’s wife, Lynn, was a nightclub singer who had moved from Terre Haute, Ind. to New York in search of a career. She was singing in a nightclub when she met Frank Loesser around 1930.
The song itself was written in 1944, when Loesser and his wife had just moved into the Hotel Navarro in New York. They gave a housewarming party for themselves and when they did the number, everybody went crazy.
“We had to do it over and over again,” Lynn Loesser told her kids, “and we became instant parlor room stars.”
Performers started to take note of the song, and record covers of it. It’s also featured in the 1949 musical comedy Neptune’s Daughter as sung by Ricardo Montalbán and Esther Williams below. And in that movie, it takes an ironic tone since the movie takes place in a warm climate. It also earned Loesser an Academy Award for Best Original Song.
I didn’t know that. So I looked it up, and it seems the intent of the song is to tell their guests to leave. Also, he sold the song without his wife’s consent, and it almost ended their marriage.
“All that she wants” by Ace of Base. I read a deep dive into the band and it seems like they may have been formed after a neo-nazi group and that song might be about Jews trying to dilute the bloodline… so yeah kinda weird now.
Ooof, TIL…
Oh fuck, no way.
Ok, I read thenlink and the bassist was an opely total piece of shit before joining the band but I didn’t see anyhing about the AoB songs being hidden propaganda or the rest of the band’s history. Where does the speculation come from?
I don’t know what the vast majority of songs I listen to are about. I have some genetic defect that makes it near impossible to hear lyrics. It all sounds like melody to me.
Semi-Charmed Life, by Third Eye Blind. Basically, it’s a song about doing meth… Spent almost twenty years just singing the chorus with absolutely no idea what the rest of the lyrics were. Now, it kinda feels weird, ngl.
But it’s about how the excitement of meth, like that of a new relationship, fades and leaves the speaker wanting something more substantial while still fondly reminiscing about the good times.
The speaker thinks of the girl as a “sunburn” he “would like to save.” He describes meth as something that “will lift you up until you break.” I think these characterizations point very strongly toward nostalgic longing and away from the glorification of addiction or even that of drug use. So no reason to feel weird I think.
I think these characterizations point very strongly toward nostalgic longing and away from the glorification of addiction or even that of drug use.
There’s also an extra verse, which wasn’t in the radio edit, that I think further supports what you’re saying.
I guess you’re right, I just never gave the song much thought. It’s just that it kinda felt like some happy song and I never paid attention to what it was saying, then I looked them up one day, out of curiosity, and I guess it juat felt unexpected to me, and that’s why it felt weird. Thinking about what you said makes me want to give the song another listen with an open mind, I guess.
I, as a child, did a music class presentation on “my favourite song of the year” on this little ditty.
Whoops!
Edit: To clarify, then, much like now, I listened to the music and not the lyrics. I don’t know if that’s common at all, but the singing is basically another instrument to me, and I hardly ever pay attention to the actual words.
I listen to music the exact same way. I will maybe pay attention to the chorus or catchy line, but a lot of lyrics are lost on me.
I think it’s fairly common to not always pay close attention to the lyrics. Most of the time, you hear a song on the radio, and you can’t always make out what it’s saying, but you’re still able to enjoy the music and the singing melody. Until you pay more attention or you seek out the lyrics, then you’re often surprised about what it’s saying, cause the lyrics weren’t the point when you used to listen to the song. It doesn’t mean that it’s world-changing or anything, but it just takes you by surprise.
Much of the time I can’t even make out the lyrics, so I listen to music the same way
I’m the same way, actually.
ITT: People on the spectrum
Ok, uhhhh… you are saying here that difficulty understanding the words to music is an autism thing?
Woo woo! Auditory Processing Disorder!
Not so much a song about doing meth as it’s a song about the ramifications of doing meth. “Doing crystal meth will lift you up until you break” it mentions lockjaw at the end and even talks about watching the love of his life die to an od.
