Maybe something you learned the hard way, or something you found out right before making a huge mistake.
E.g., for audiophiles: don’t buy subwoofers from speaker companies, and don’t buy speakers from subwoofer companies.
You know when you’re walking around town at night and see those neon shop signs saying they’re open? Well *warm smiles*, that’s me.
If I see a shop without a neon sign, I happily walk in and offer to sell them one for a £1000. If they refuse, I threaten to smash in their windows and burn down the shop with them in it. I then leave with a happy customer and add a little more neon magic into the world.
You’re welcome, world.
Edit: For Context
Are they still neon? I would’ve thought led was more common. Either way thank you for the work you do.
It’s funny how many people say that, but LED just doesn’t have the same diffuse glow, and doesn’t stand up well to repeated blows with a pipe.
And of course, you’re welcome!
Lots are LED since it’s way more energy efficient.
Trumpet playing: The room you’re playing in really affects the sound you hear. So does your position in that room. If you are having weird issues with pieces you know you can play, try playing in the corner of the rooms, so your playing into the largest physical space possible.
Similarly, when I tried to learn to play using a mute, it sounded like absolute dogshit because the mute changes a ton about how the instrument sounds and feels to play. You’re going to sound (and probably be) off key and the lung pressure feels different because you’re blocking part of the air flow out of the instrument. It requires a technique adjustment to sound right.
Ancient coins (2000-1700 years old) are surprisingly common and can be had very cheaply unless you want a specifically rare or perfect one.
I went through most of my life believing that anything older than say 200 years was automatically a museum piece or equivalent. But most museums of ancient history who display ancient coins have multitudes of the displayed coins sitting in storage. The Romans alone minted BILLIONS of coins over the span of the Republic and the Empire (that’s over 1000 years of history!) and if even 1% of them survive today, that’s still many, many dozens of millions.
Also America’s definition of old and Europe definition of old are very different. My family in England live in a house that’s older than America and not by a little.
Cool!!!
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V-coins and ma-shops are reputable and you won’t easily come across fakes there. Just stay away from Ebay and the like. Also, if you go for the affordable types (common denari or late roman bronzes) these are almost never faked since it’s not worth the effort. They cost like 5 bucks for decent pieces, maybe just a bit more if you want a nicer specimen.
Yeah, Im curious about that too
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Yeah but to really cement the look you need a leather coin purse that hangs from your sword belt.
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For Rpg : let the player take the initiative and bring their plot to the table. If they preptge game for you, it’s les work as aGM (also no doodle scheduling, use fix dates)
For paragliding : if there is nobody on a flight site do not take off. Most likely you misunderstood something, and the site isn’t flyable. Sure if you re very experienced, do hike and fly or do fly on a week day on a small site, it may not apply, but you’re able to analyse by yourself
There’s two types of costume contests, cosplay contests that break things down by experience, and random Halloween contests that are basically reenactments of popularity contests in high school.
The former you’re gonna enter as a journeyman unless you built something so outrageous they gotta up the difficulty level. Make sure you have a TON of documentation and pics and explanations on how you did things. The judges are gonna wanna know how hard you worked on things and the amount of detail you put into it. If you spent 8 hours on the gold colored filigree on your bracers you damn well better mention it Typically unless you’re doing best performance, you get three poses and you’re off the stage. By the time you hit the stage the judges typically made their decisions so play to the crowd and do what looks good on film. If you are going for best performance, don’t feel pressured to use your full five minutes, or however long they give. Waaay to many people overstay their welcome, you wanna leave the people wanting more, not less. Hit your points, your high note, and if you’re still only halfway through your time, whatever. You’re not disqualified if you don’t use your time completely, and people will greatly appreciate someone moving the schedule faster than usual.
For the latter Halloween costume contests, effort means NOTHING. You could’ve thrown the damn thing together in five minutes and win, and if you spend 16 hours on it it will not improve your chances. The venue is looking for costumes that look great on the social media, is a character they love, makes them laugh, blows their mind, causes the venue to cheer, and (this is the most important bit) appears in front of whoever the hell is judging the competition. It’s 1 to 3 people who pick on the previously mentioned criteria. Each judge is gonna be a little different. Some judges listen to the crowd, some judges love horror films so every slasher villain goes on stage, some judges do NOT know what the hell a star wars is. The one thing that all judges have in common though, is that they exist in a 3 dimensional space and only have eyes in front of their head. If you’re a wall flower that doesn’t interact with people, you will not win the contest unless the judge is also sharing your wall. Build a dance circle, tip the bartender to figure out who’s judging tonight (they may or may not know) but if you wanna win, physics dictates that you appear in front of a judge as they wander the venue. That is more important than your costume.
Observing groups is a very useful skill, in minutes you can tell who’s where in the hierarchy, what the cliques are, how well they coordinate, how information flows, and where influence springs from.
This let’s you not only insert yourself at the right moment, peg, and place for maximum efficacy, but also informs you of barriers, challenges to overcome, and next steps for the group to act better together.
Hobby/skill/interest in Group dynamics, useful for coaching, creating community, project organisation, and group coaching.
This does seem like a very niche hobby.
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If you’re interested in getting into bicycling check if there’s a local co-op. A good one will sell you a cheap bike and even let you pay a decent chunk of it in labor of fixing bikes (and learning to fix yours). Not only is this two hobbies for the price of a few drinks, it’s also a good way to make friends, build skills, learn good trails, and feel connected to your local community. You also can get cheap used parts. The bikes won’t be high end expensive ones, and you may decide some parts are worth paying manufacturer prices for (several used trigger shifters led to me buying new), but when all is said and done they’re usually pretty decent bikes. And you can find weird shit you may not have known was a thing.
Language learning: I tricked myself into building a daily flashcard study habit by using gambling as an incentive. I bought a box of Magic the Gathering packs and allowed myself to open one a day only after I had finished my daily flashcard study. According to Atomic Habits it takes roughly 50 days for a habit to be set in stone as part of your daily routine. A full box of Magic packs took me to day 36. Feels like a bit of an unethical life pro-tip, but once you’re over that hump of forming the daily habit it becomes a lot easier, so find a way to hack your brain and make it feel rewarding until it becomes automatic.
Buying a cheap 2nd hand E-bike (right now) means the same as buying any other broken bike: You need to know how to switch a chain and adjust brakes. The electronics themselves however are surprisingly resilient.
Hobby: Chess
Tips: Ill state a few mistakes here that I see beginners do a lot (mistakes that I also made as a beginner and had to learn to not do and why not to do them).
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Don’t give check just because you can give check. Beginners love to just check you with zero follow up. Its like it creates a sense of purpose for their moves but without a proper follow up it is a waste of a move.
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Consider the fact that I can make moves and formulate my own plans. Half the game is what you play and the other half is what your opponent plays. If you only consider your moves/plans, I, and any chess player beyond a beginner, will easily beat you.
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Every move has a purpose. If you make a move and I ask you why you made that move and you cannot provide a reasonable reason, then you either wasted a move or got lucky and just happened to guess a good move.
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Dont try to learn opening theory as a beginner. You should learn the three main opening principiles (develop you pieces, get your king to safety, and control the center of the board) and some very common lines to play but after that you should move on to the middle game and end game. Revisit opening theory once you understand the game at a deeper level. It will make it easier for you.
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You paid money and spent time travelling to tournament. You have over an hour on the clock and you oppenent just made a move. Stop and think for a moment. Dont rush your moves and try to play instantly all the time. You waste time, money, and the day since you played like shit (whats the point?).
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(Last) Do NOT have an ego or underestimate your opponent. Especially of they are a little kid. There are two types of kid chess players: the ones who learned how to play 5 minutes ago and the ones that humble you. Very little in between there. There are two types of (non-kid) chess players: those who think a 10yr old kid by default sucks at chess, and those who have played enough kids to realize what the fuck is up. It is funny to watch the former turn into the ladder. Those kids at tournaments are such wild cards
Do you have any good learning resources for number 4?
That depends on exactly what you are looking for and what level of play you are at. A general source that I do like for these sorts of topics is Chess-Networks series “Beginner to Chess Master”. I think its well put together and easy to understand/digest for beginners. Its free (youtube) which is also nice. Of course you can find many more like these on youtube. I just like Chess-Network for this type of series a lot.
If you want to get into openings I recommend getting a set of openings for yourself for white and black.
White: 1. d4 and then London System is easy to play and works most times to get a good setup. Super easy way to have you prepared almost 50% of the time. I personally don’t play it though, I’m an 1. e4 player.
Black:
Don’t start with Sicialian. It’s good but it’ll take a long time to learn enough lines to handle whatever the opponent throws at you since they almost decide which variation you play.
Against 1. d4… King’s Indian defence allows you a straight forward path to casting and develop 2 pieces. Then strike in the center. For a more spicy option there’s the Benoni which has traps for people who blindly go London System.
Against 1. e4… French defence is pretty straight forward since you end up doing the same stuff every game. Attack the pawn on d4. You could also go for 1. … e5 but since it’s the most common move you can get opening knowledge advantage way faster by playing French or Scandinavian. You’ll have to know both if you decide to play 1. e4 at some point and play Italian or Ruy Lopez which IMO are more fun to play.
After learning the main move order for the first 4 or 5 moves then watch some videos on each of your defence. Remote chess academy is a very fun channel on YouTube for learning openings.
Good at tactics?
Try some gambits. You sacrifice a pawn and come out guns blazing. If people don’t know the gambit you’re playing they’ll have to spend a lot of time calculating. You force them to thread the needle or at the minimum lose a piece.
If you want to know how it looks like check out some games with Paul Morphy. He’s winning against players that would 2200+ FIDE rating with the King’s gambit. That opening develops wicked fast but has the King naked.
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Why wouldn’t you buy a sub from a speaker company? Here’s one for audiophiles: if you want real good sound look at studio equipment rather than expensive hifi stuff. A high end studio interface plus a pair of full range studio monitors will sound more accurate than any hifi setup.
And another one: listening experience is 95% acoustics. Don’t bother with speakers above say 2k if you’re not willing to invest money and space into proper acoustic treatment.
Subwoofers are an afterthought for the industry.
I wouldn’t consider myself an audiophile, but I lean more in that direction than the average. I’ve had the pleasure of working in a sound studio, and as such I learned to appreciate the quality that comes with the gear.
In general, professional hardware is miles beyond consumer hardware. And enthusiast hardware is more akin to consumer hardware with extra fluff.
First, I agree with your comment about the room. It’s the most important part of how good a system sounds, neck and neck with speakers.
Second, while I don’t have a wide variety of experience with studio gear or a variety of audiophile speakers I can say this: I have been a Magnepan guy for decades and currently have the 1.7i’s. But I recently got some Yamaha HS7s for my computer and I have really been enjoying them.
Maggies are legendary for how well they reproduce female vocals (and they deserve that reputation) but I was listening to Cowboy Junkies this morning and just really enjoyed how Margo Timmins voice sounded as well as the imaging (and they aren’t set up really well for imaging given I have three monitors on my desk).
So, yeah, try studio monitors if you are looking for powered speakers.
Woodworking
Measure twice cut once is rookie numbers. Measure 10 times, cut a test piece 5 times, measure twice after each, then do your real cut.
This is a bit of an exaggeration, but you get the idea.
Also, measure after each operation to check your work as you go so you can spot mistakes as early as possible. This includes checking for square, doing test fits, and all manner of sanity checks to ensure that your operations are achieving the desired results before you repeat them on other pieces or move on to do more work on those same pieces that may already be ruined or need fixing.
For glue up, always always always dry fit first. Then plan ahead. Put all your clamps on and have them adjusted before you add glue. Once the glue is on the time is short and you need to have everything ready and waiting.
If you use a table saw, take it seriously. Always use your riving knife when possible, be mindful of the control you have over the pieces, use push sticks and sleds and jigs to improve stability and safety, always wear ppe. Check that your blade is aligned to your miter slots and your fence. Having a slight relief angle on your fence can be good, but never have it canted towards the blade. That can be dangerous. Also make a crosscut sled, they’re amazing.
Beware of dust. It causes cancer and it lingers in the air. Wear a respirator and use ventilation when possible.
Make or buy a workbench with a vise and some hold down capabilities. Being able to hold your work easily is a huge benefit.
If you are looking to improve your accuracy and precision, buy a nice hand plane and learn how set it up, sharpen it, and how to use it. They are absolute game changers. Also make or buy a shooting board for it. Also, buy a machinist’s square, a set of feeler gauges, and a nice 36in aluminum straight edge and learn to use them.
Etc
Obviously that’s a lot, and a lot of it it depends on what you’re actually trying to do, but those are all things that have helped me a lot in my journey towards making furniture, picture frames, cutting boards, etc
Another woodworker:
Huge +1 for a bench plane and a shooting board. Even in a mainly power tool shop, you can make things much more precisely square or mitered if you shoot them.
For marking cuts, use a knife not a pencil. When you use a pencil to mark your cuts, you limit yourself to guiding your tools with only your vision, not unlike a Tesla. When you score the line with a knife, you create a reference surface (one of the two sides of the cut, hopefully the one against your square) that has no thickness, and you can feel when a knife or chisel clicks against that surface. For saw cuts, you can use a chisel to pare away a little bit from the waste side to form a knife wall, which forms a little ramp that will guide a saw against your reference surface.
Wax literally everything. Wax your work surfaces, tablesaw top, jointer beds, planer bed, fences, plane soles, bikini lines, saw plates, screw threads…wax literally everything.
Learn how to do most common operations by hand. Square some rough lumber by hand with a bench plane. Chop a mortise with a chisel. Cut a tenon with a backsaw. Make dovetails by hand. Even if you’re a power tool woodworker and you’ve got a jointer and a thickness planer and a table saw and a rapidly growing number of routers, knowing how to do things by hand will help you understand just what it is you’re doing.
Do not suffer a dull tool to live. If your tool is getting dull, sharpen it. Sharpening is kinda personal, I think if cilantro tastes like soap to you you’ll prefer oilstones, if you have that tendon in your wrist you’ll like waterstones, if you can roll your tongue you’ll prefer diamond plates and if you have more money than god you’ll buy a Tormach. They’ll all sharpen a blade. Find the system you like and use it. If your tool is dull, sharpen it. Put it away sharp, don’t put it away dull.
Use your ears. You can tell a lot about what’s going on with a tool by listening to it.
Great additions! Using a marking knife is a big upgrade.
Dull tools are the death of accuracy and enjoyment alike.
Cheers
Dull tools are the death of accuracy and enjoyment alike.
Same in cooking. A sharp knife is a safe knife. If you are pushing to cut you will have an accident.
My original plan was to ask for top 5 tips, so you went ways above the brief after you read my mind.
Lol, yeah I got a bit carried away there.
Me, “Measures 50 times and it still doesn’t fit just right” “WTF!!!??”
Lol. Been there for sure.
The worst is building something perfectly square, and then realizing the space you need to put it into is very not square.
This is why I hired someone to do my bathroom shower remodel. My house is old and has no 90 degree angles left lol. I call it the “Dr Suess House”
Putting up shelves, you have to decide if you want them to be level, parallel to the floor, or parallel to the ceiling, and those are all different.
If you use a table saw, take it seriously.
I’d like to add: don’t wear gloves, especially ones that are a little to big for your hands.
I was going to add to tablesaw too. Safety is like security: use layers. Machines have switches and their own safeties. But you know what’s better? Put that behind another switch. And unplug it when you leave the room. You shouldn’t be able to turn it on until you are ready to use it. Again like security, it always pays to be a little paranoid
Hobbyist race car builder/mechanic, sometimes you need cheap tools to break, bend, grind or cut to do one job.
I have a spanner that has been lovingly butchered to remove one sensor on a steering rack on one model of car. Its a common failure point and replacing it either means custom specialty tool or complete steering rack removal and wheel allignment.
Just buy a good 3d printer for your first. Sure, it’ll cost money, but the heartache of constant troubleshooting and tweaking can just suck the fun out of the hobby if you just need this print to succeed.
Prusa Mini+ (I think) Bambu A1 Mini (this would be my #1 starter printer before the security updates they done)
Good one. I struggled for years with a monoprice printer I basically got for free because Rakuten marketplace was shutting down and I had to use my rewards. I recently got a Bambu printer as a gift and it’s so much better at the same tasks, plus the additional features make me regret spending time upgrading my MP10.
But if you get a cheap one you get a free crash course on everything that could possibly go wrong on a print and how to avoid it.
Ender 3 btw
One of those hobbies where starting cheap actually makes it not worth it. Kind of like a cheap camera can make you feel discouraged once you get pretty good at photography. A $500 camera can get you started, but a $1500+ (or refurbished more expensive option) will unlock a whole new level of creative abilities (speaking from experience!)
What would you say the gap between the “this 3d printer will do the job but make you lose your mind” and “this is a reliable 3d printer that is reasonably priced for hobbies”?
I kinda disagree with this, in certain contexts. There is some value in learning how the machine works by self-assembling a kit (or buying off-the-shelf parts and assembling from an open-hardware guide). Identifying the things that can be upgraded, tinkering with firmwares and nozzles, printing parts to upgrade the machine itself… all are a fun aspect of the hobby, if you’re interested in the hardware side.
But if you just want to make figurines from squirty plastic, then yeah just buy a moderately-priced, well-supported turnkey printer (though probably not a Bambu, because they’re sliding toward enshittification).
If not bambu, what do you recommend?
Current sovol sv07 plus user and facing this wall where I can’t decide if it’s a skills/knowledge issue or a hardware limit.
Sovol has been generally decent in my experience (SV08), but they’re kinda positioned between the “tinker” and “turnkey” markets. What wall are you running into?
Bambu would have been my recommendation before they tried to lock people into the cloud connection. They’ve reversed course (for now) due to the backlash, but they’ll do it again when they think they can get away with it.
At this point I’d probably say Prusa, but I don’t have firsthand experience with them so that’s based solely on what I’ve read. If you’re looking for something that will “just work” you’re going to need to search for what’s in your price range and then read everything you can about the models in question on support forums and reddit (ew). You can also learn a lot by watching YouTube videos but you have to be really careful to see past the “they gave me this for free/paid for the video so I’m going to minimize the negatives” crap.
Right now I have bunch of settings saved that results in a pretty decent PLA print, but it takes ages. (Layer of .15, print speed 50-100, gyroid infill 15%. Bed 60* nozzle 210). And I tried to print a tube to put coins in and it’s 5 hours. And the threads didn’t come out great.
Overhangs get me usually, but sometime later adhesion if I dare use the ultimate presets like “course”, even if I adjust the temp.
Also I tried updating utlimaker to the latest version, rather than the one it comes with, and then was a disaster that lead me down a rabbit hole to Orca.
Which was another rabbit hole that my partner had to emotionally support me through as the equivalents of “PCLOADLETTER” would trash my prints on a whim. Usually 3/4 of the way through.
I bought this printer to print dust collector fittings and adaptors for power tools (I lead a construction team and I’m pro-safety) and I can usually get a print strong enough for the job, if not pretty.
But I’d like pretty…I’d like to be able to fine tune a print so it’s sexy and strong and also didn’t take 16 hours… Boaty takes 20 minutes and o Looks good every time I print so I just don’t get why something not as complex and the same size takes over an hour and doesn’t come out as clean.
It’s possible that you’re going too slow. It sounds nuts, but I’ve seen degradation of print quality on my homebuilt ANET A8 by going with lower speeds and trying to play around with flow rates.
What I ended up doing with that machine was printing a series of temperature columns, flow rate columns, and speed columns to zero in on the smoothest print. I did all that with my most commonly used PLA and then PETG. I’ve had to make very small tweaks for some variants (for example, matte PLA requires about 4% more flow rate than my baseline).
It’s been years so I don’t remember exactly, but I think I went through three loops of the towers: Find best temp (five degree steps between 180-220C), use that temp to find best flow rate, use those two to test speed. Loop back and do each test again using the best result from the prior two and adjusting each floor of the tower in smaller increments. I think I only had to do temp twice. My profile for that machine and my bulk 3DMARS PLA filament is 208C at 105mm/s and 103% flow rate.
The SV08 that I’ve been using recently is a completely different animal (corexy vs bedslinger). I haven’t had to tweak much at all to get ridiculously fast and good quality prints. I’m actually about to install the enclosure kit and try out ABS for the first time. Since I set up this machine I haven’t even powered on the A8.
Also, have been using Orca exclusively without issue so I can’t really lend advice there.
Good luck!
Thanks for the advice. I’ll go back and do some more tower tests, but (and again, this could be a skill/understanding issue) I don’t really understand how to get a print to change temp mid print, without using the touchscreen and staring at it waiting…
Great point! It also depends on how much time you have for it. I built a 3D printer when I was younger because I had hours most days to work on it.
Now I would probably only have a few hours a week to tinker, so if I spent most of that time just working on the printer and couldn’t get stuff actually printed and printed well, that would feel like wasted time personally!
Would be kinda cool to buy a functioning printer and print parts for a diy printer. Then it’ll have children haha!
Servers: it doesn’t have to be built for the purpose. In a pinch, any PC will do.
Chess: Fried liver attack doesn’t work above 700 ELO and is easily countered with a possibility for a smothered mate.
Guitar: Playing 5 minutes every day is better than playing an hour once a week.
These are great and the guitar one is relevant to me right now. Thanks for answering!
