Generalities:

My favorite pastime is learning.

If something is unconventional it’s typically better for it.

Music is crucial and experiencing it is mandatory - be it through listening or creating.

Reducing suffering is the best life goal I’ve come up with.

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Joined 2 years ago
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Cake day: June 12th, 2023

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  • Sure thing. There’s a lot to take in, I know. Just keep in mind, as with anything, the more you do it everything will begin to make more and more sense. It’s important to get through the process though. When you’re able to move through synthesis with intentionality it’s like opening up a new world with endless possibilities only bounded by your imagination and the capabilities of the synth you’re using.

    This isn’t a bad video for a beginner. It covers a lot of fundamental concepts. He speaks a bit fast, so slow speed by 10% if you’re having trouble following. It’s a long video because it covers so much ground, so be ready for that. I hope it helps in your process!

    https://youtu.be/jWorjBDcty4?si=hcXsI0_vOge2gEas






  • The image is actually emblematic of why you’re having trouble finding good new music. You’re still just looking at the outside of the haystack. In the modern era it’s incredibly easy to access good new music, but perhaps more difficult to find that music (based upon your tastes). The prevalence of independent music exploded over 20 years ago. At this point, if you’re relying on the vestiges of major labels and popular distribution channels as your tastemakers you’re basically doing it wrong.

    The drawback is that you may actually have to put in some time and effort to find new stuff you like, but it’s definitely out there. Probably much more exists than you have time to consider, really. How much time you’re willing to spend searching depends on how important it is to you to find new stuff that you enjoy. Use shortcuts and find a different tastemaker associated with genre’s that you like if you want (e.g. online publications, youtube channels, online forums/communities, playlist where they exist, podcast, etc.) You’ll have to put in some time to find the relevant ones to you, but perhaps not as much time as combing through new stuff on your own.

    Lots of us with interests in genres with an extensive underground scene have been sifting through the mud to find gems for decades already, and I still enjoy the process a lot, though many people might think I waste a lot of time. These days that skillset is transferable and almost a requirement to find the good stuff in any and every genre. Unless you are lucky or don’t mind enough that the most commercial stuff is still your jam.

    (edit: unless of course this post is more a condemnation of broadly popular tastes in music. I’d have to type more to address that, but I’ll save it. It’s nothing new, and also hinges on subjectivity.)


  • Last I saw it isn’t actually clear whether or not Fadades is parody or legitimate. Very clear in any either case that Fadades is great.

    Especially within a genre like black metal where bands will make contra-conventional artistic decisions by way of course as it is, stumbling upon a vibe like this out of honest artistic expression vs. deriving it with a manifest ambiguity where the tongue seems to sprout from the cheek almost hardly matters. However Fadades came to be, it’s a monument to whatever it actually is.










  • So glad this movie is doing well. I hope this puts an exclamation point on the sentiment that a global audience wants to see Japanese Godzilla films that Toho will keep in mind. This article states how much more Minus One is grossing over Shin Godzilla, but the Shin Godzilla screenings (in my region anyway) were so limited that this is anything but a surprise.

    Minus One is great. I encourage everyone to see it. I’m hoping to catch it again while it’s still on the big screen. Goji fans rejoice!