I recently saw ‘Don’t Look Now’ (1973). Good picture, a little slow perhaps by today’s standards but worthy of any movie enjoyer’s time! So this movie was shot in Venice. Venice itself being an already beautiful spot to film even today. The way we get to look in a time capsule of Venice in the 70s makes the movie that much better!
People in the 70s could not in fact appreciate it the same way we do now. Concurrently we also can’t do it for today’s movies. Some movies can only be truly appreciated over time is what I believe. This matter can be expressed in both the movie’s message or, as I did, its cinematography. Hence my question now to you.
I’m going to tweak the OP a little bit to drop my movie unpopular opinion that I haven’t gotten to share here and say:
Indiana Jones and the Kingdom of the Crystal Skull is a damn fine, and more importantly, fun, addition the the franchise that deserves maybe a tenth of the hate it gets online. It’s pulpy, it’s cheesy, the writing swings between passable and unbelievable, and the plot is all of the place, both in tone and in narrative, but you know what: SO ARE ALL THE INDIANA JONES MOVIES!
I honestly think that if that vine swinging scene never left the editing bay that movie would be looked back on a lot better.
I envy your opinion and sadly cannot share it. It’s ok, I’ll just love the first three and take it as it comes.
Yeah, no.
I’ll defend the fifth one, even if the opening feels like you’re watching somebody play a Naughty Dog Indiana Jones game, but not the fourth.
The fucking CGI gopher alone is enough, let alone the swinging with the monkeys bit or the fridge nuke. And even if you take all that out, it’s just not very good.
1 > 3 > 2 > 5 >>> 4
Contrary to popular opinion, the infamous fridge scene is good. The second half of the movie is forgettable.
The Matrix Still looks great and works as a trans allegory
Gattaca Getting more prescient with each year
Gattaca Getting more prescient with each year
It’s kind of crazy how CRISPR turns the predictions on their head.
I usually don’t watch old films but Flight of the Phoenix is an old B&W survival film set in a desert
It’s one of the tensest things I’ve seen for years, I was literally on the edge of my seat at one point
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Zardoz.
Jurassic Park. Those dinos beat many of today’s CGI films. Mixed in with the animatronic ones they just blend in so well. The story is simple (to quote Dr Malcolm) God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs. There are so many quotable lines, as shown just now, and the music is pretty unforgettable too.
IMO, the early 90s was a golden age for movie effects. There was CGI but it was so primitive and expensive it was used sparingly. Like you mentioned that blend of practical and special effects was amazing.
Another great example of this is Terminator 2. They obviously used CGI for the T-1000 but then they actually flew a helicopter under a highway overpass, drove a semi-truck off a bridge into the LA river, and blew up an office building.
I would say a lot of Spielberg’s work. It just doesn’t seem to age. I watched Munich a few weeks ago, and to me it could have come out yesterday. Same for Saving Private Ryan or Schindler’s List.
Star Wars. The original one. It came out when there were no computer generated effects, and the effects still look incredible, even today.
Whatever Happened to Baby Jane (1962). Timeless in is commentary on both child actors and being a damn good movie. Everything about the makeup makes the absolute most of the restricted grayscale palette. Definitely recommend it if you’re looking for a good thriller somewhat akin to Misery.
I think of both Baby Jane and Misery as horror movies (although I admit I hadn’t realized how similar they are until your comment). It’s almost a 60s version of torture porn. The ending is utter delusional madness. I agree, though, that it’s a great movie in every way.
I’m sending a letter to Daddy!
I saw Alien 1 just a couple of weeks ago for the first time and I was amazed how good it still looked. The design of the spaceship and the alien itself still looked amazing in 4k on an OLED TV. And also the story still seemed like a fresh idea. Of course there are moments with stupid acting people, but all in all the decisions made felt plausible and logical, not the normal stupid horror movie group. And also the story twist came (for me) as a real surprise and not like a thing you knew after the first 5min. (And I’m also surprised that after all these years it’s still a surprise, cause everybody knows the alien but not the story of the first movie?)
Alien 1 is in 4k?
Film is actually capable of holding way more detail than 4k. This is the crux of complaints when cinema projectors started to change from film to digital. I love it when old films get remastered in ultra high definition. It makes you realize that what the original audiences actually saw was much more high quality than what we associate with old films, like grain, burn spots, blur and stretching distortion, etc.
Though often it was limited by grain size, rarely much more than hd quality.
Yes, I think it was the 40th Anniversary release. Aliens is also supposed to be getting a 4K release soon.
The movie It’s a Wonderful Life still holds up pretty well.
It still is hard to save up $5000.
This is a very interesting situation.
So does Casablanca.
Sneakers
Maybe more relevant today than it was then.
Cosmo was right.
The Sixth Sense is a fantastic movie. None of the stuff Shamalan came up with after are really worth it, but this first movie is wonderful.
I like that one, you find out that the dude in that hair piece the whole time, that’s Bruce Willis the whole movie.
Whoa man, spoilers!
I kind of love the TV Series he made, Wayward Pines.
Every day, Idiocracy is getting further from absurd comedy and closer to documentary.
Welcome to Costco. I love you.
I watched the kill bills last week again after not having watched them since they originally came out. It still feels fresh, both in dialogue and action, score cinematography great. Incredible that some lost the brilliance in Tarantino’s penchant for a bit too much blood in a few scenes. It would be like not appreciating the Sistine chapel because there are nude angels depicted.
It would be like not appreciating the Sistine chapel because there are nude angels depicted.
That happened as it was being painted. The guy was then incorporated in the work as a nude demon who’s genitals were censored by a snake biting them off. He complained about his depiction to the Pope, who politely and snarkily told him to fuck off.
Messer Biagio, you know that I have from God power in heaven and on earth; but my authority does not extend into hell, and you must have patience if I cannot free you from there.
Just watched Mulholland Dr. Years ahead of MeToo.
The scene where she auditions for the studio execs, delivering the performance of a lifetime is so enrapturing and creepy. A perfect movie, maybe Lynch’s best.
Definitely. Silencio!
